European Media Art Festiaval Osnabrück 18.-22. April 2012

Press Release 03-2012

25th European Media Art Festival, 18 – 22 April 2012

Exhibition: 18 April – 27 May 2012

“And the winner is....”

The award ceremony of the 25th European Media Art Festival took place at the “Lagerhalle” Osnabrück on Sunday evening. About 170 films participated in the competition for the offered awards.

The Verband der Deutschen Filmkritik (VDFK) awarded the prize for the best German experimental film, along with 1000 euros, to Constanze Fischbeck and Daniel Kötter for their film “State Theatre #2 Tehren” (D 2011, 24:00 Min). The jury’s comment:

“Two-sided vision animates the film. Two cameras explore the rooms of a grand theatre, disused since 1979 but once full of life, in a calm, soberly conceived structure. With great unambiguity, due in part to the consistent bright illumination, the clarity of clear-cut lines is achieved. The special qualities of the film can be found in this harshness, coherence and beauty.

Additional scenes from the surveillance cameras installed there and with puppeteers and a female dancer enable the historical and political explosive nature of this location in Tehran to be eventually approached.”

The “Verband der deutschen Filmkritik e.V.” appointed Günter Agde, Bodo Schönfelder and Hans-Jürgen Tast to the jury.

An international jury awarded not only the EMAF Award and the Newcomer Award but also the Dialogpreis of the Federal Ministry of Foreign Affairs. This jury was made up of Maria Pallier, Daniel Cockburn and Abdo Nawar.

The EMAF Award, given to trend-setting works of Media Art, was awarded to Hayoun Kwon and her film “Manque of Preuves (Lack of Evidence)” (F 2011, 9:20 Min).

In their comment, the jury wrote:

“The EMAF-award goes to Hayoun Kwon for her transmedial account of intercultural incomprehension. “Manque de Preuves” (Lack of Evidence) is a fairytale, a storytelling, an investigation, and an autopsy of a cultural dilemma, using a diverse range of media to illustrate the differences between cultures and realities.” 

This year, the Newcomer Award, with 1500 euro prize money, was awarded to Ed Atkins and his work “Death Mask III” (GB 2011, 34:46 Min).

The jury described his work as “a videowork which uses sensitive and striking sound-image combinations to evoke a narrative without defining it, to allude to emotions and trauma without making them tangible. For its technical prowess, musical sensibility, and visceral impact, we are pleased to give the award to Death Mask III by Ed Atkins.”

The Dialogpreis, awarded by the Federal Ministry of Foreign Affairs to promote intercultural exchange, went to “Excursions in the Dark” by Kaya Behkalam. The jury awarded the filmmaker “for bringing to us a poetic portrait of the streets and people in post-revolutionary Cairo. Excursions in the Dark shows empty spaces, charged with fear of a chaotic future, at the same time making us aware of the universality of human dreams.”

EMAF congratulates all award winners and thanks the jurys for their work.

European Media Art Festival

The EMAF in Osnabrück is one of the most important forums of international Media Art, and is an open laboratory for creative and artistic experiments that help shape media and the aesthetics of their content. As a lively meeting place for artists, curators, lenders, gallery owners and a specialist audience, it has been instrumental in forming the themes and aesthetics of Media Art.

 

// MORE INFORMATION

Kerstin Kollmeyer
Presse(at)emaf.de
European Media Art Festival
Lohstr. 45a
D-49074 Osnabrück
Tel. +49 (0)541/216 58
Fax +49 (0)541/ 28327

Press Release 02-2012

25th European Media Art Festival, 18 – 22 April 2012

Exhibition: 18 April – 27 May 2012

The programme to mark EMAF’s anniversary 

EMAF is celebrating its 25th anniversary this year with a number of programme highlights: at the Congress, renowned speakers such as the media theoretician and Director of the Center for Art and Media (ZKM) Peter Weibel and the Swiss media philosopher Gerhard Johann Lischka will deliver lectures on the development of Media Art and its future.

Other lectures at the Congress will address the topical political issue of the revolutions in the Arab region: Jasmina Metwaly from Cairo is a member of the “Mosireen” media collective, born out of citizen journalism when President Hosni Mubarak was forced to stand down. She will present her work, located somewhere between documentary films and video art, demonstrating how the revolutionists rebel against the censorship imposed by the government.

Even more controversial is the presentation by Charlotte Bank from Berlin who will give a lecture on the work of Syrian artists, followed by a movie screening. Creative forms of protest emerge under basic conditions and constant time pressure in the terror-ridden country.

In addition, the festival programme will screen a series with a retrospective character entitled “Now and Then” at the festival’s cinemas. Artists will present not only their latest works, but also oeuvres presented years ago in Osnabrück to highlight the developments and changes occurring in Media Art.

Under the title “Record”, the international selection will also offer a spectrum of current films and videos that observe, document without comment and focus. Through their choice of shots and montage, the filmmakers take a stance and show, using their very own style, which personal or socially relevant events move them today.

In time for its anniversary, EMAF has also processed its archive and integrated over 7,000 films and video titles from past festivals into the “mediaartbase.de” database. More than 800 film/videos have been digitised especially, making the EMAF archive one of the most outstanding sources on the history of experimental film and video work since the beginning of the 1980s.

In the DCA (Digitising Contemporary Art) project, EMAF is furthermore collaborating with 25 partners from 12 European countries to also make the archive accessible via the European platform “Europeana”.

Links to EMAF’s archive projects:

www.mediaartbase.de/handle/10858/4

www.dca-project.eu

Apply for accreditation at our new website www.emaf.de by 12 April 2012!

 

// MORE INFORMATION

Kerstin Kollmeyer
presse(at)emaf.de
European Media Art Festival
Lohstr. 45a
D-49074 Osnabrück
Tel. +49 (0)541/216 58
Fax +49 (0)541/ 28327
E-mail: Presse (at) emaf.de


Press Release 01-2012

25th European Media Art Festival, 18 – 22 April 2012

Exhibition: 18 April – 27 May 2012

Current Media Art – also to mark 25 years of EMAF in Osnabrück  

This year, Osnabrück’s European Media Art Festival will celebrate its 25th anniversary. But instead of getting melancholic and retrospective, it will instead focus once again on the latest trends in experimental Media Art from 18 to 22 April.

Over 2,300 entries from artists around the world are piled up high, waiting to be viewed. The film/video jury this year consists of Erwin van ’t Hart, Film Festival Rotterdam, Alex Gerbaulet, Braunschweig University of Art, Philipp Czogalla, University of Paderborn and Helene Webers, SMART Project Space Amsterdam. Under the direction of Ralf Sausmikat, an extremely diverse festival programme will be created over the next few weeks, a programme with a wide range of shorts and feature-length films to really entertain visitors to the festival and to stimulate controversial discussions. It took only a few days of viewing for the jury to realise that this year’s programme would contain numerous longer films; they were impressed by many 30- to 40-minute works.

In the exhibition area of the festival, visitors will be able to experience monitor installations, kinetic objects and light art projects in addition to sound walks and interactive feature films: equipped with a smartphone, visitors can explore sound spaces in the city or design a film together with others.

It goes without saying that the upcoming festival will also take a look back at the 25-year history of EMAF. Internationally renowned artists whose earliest works screened at EMAF years ago will present their current productions, addressing the subject of the every-changing methods used in Media Art. 

 

EMAF designated a “Selected Landmark 2012” 

 As a fitting tribute to its anniversary, EMAF has received a commendation:

the festival has been nominated a “Selected Landmark 2012”. As a forum of the international media art world, therefore, it is one of the prize-winners of the “365 Landmarks in the Land of Ideas” competition, run by the nation-branding initiative “Germany – Land of Ideas” in cooperation with Deutsche Bank.

Each year the initiative, under the patronage of the German President, rewards outstanding projects and ideas each year that make a lasting contribution to Germany’s future viability. As one of the prize-winners, EMAF is therefore an “Ambassador for the Land of Ideas” in 2012, and represents Germany’s innovative potential.

The award ceremony will be held in the Kunsthalle Dominikanerkirche on 20 May 2012, on the occasion of International Museum Day.

For the latest information on the festival, visit www.emaf.de or check out facebook, twitter, vimeo and flickr.

European Media Art Festival

The EMAF in Osnabrück is one of the most important forums of international Media Art, and is an open laboratory for creative and artistic experiments that help shape media and the aesthetics of their content. As a lively meeting place for artists, curators, lenders, gallery owners and a specialist audience, it has been instrumental in forming the themes and aesthetics of Media Art.

Press Release 06-2011

24th European Media Art Festival, 27 April – 1 May 2011

Exhibition 27 April – 29 May 2011

Media Art and Melancholy

 A change of thinking has long taken place: natural disasters, wars and the disappointed belief in technology are increasingly making us contemplative, changing our perception. This was revealed at the 24th European Media Art Festival (EMAF), which took place in Osnabrück between 27 April and 1 May. The festival was more political this year. Festival directors Hermann Nöring, Alfred Rotert and Ralf Sausmikat took stock of the event.

 “A new manner of considering nature is emerging,” explains Hermann Nöring. “This time, many projects focused on critically exploring technological promises.” Stories are increasingly being told that are often marked by a melancholy undertone. The narrative level is very distinct at this year’s Media Art exhibition. Which is why “Moving Stories” is the title of part of the exhibition “Planet M”, which can be visited at the Kunsthalle Dominikanerkirche until the end of May.

 The video and film programme also reveals a very clear tendency: “Narrative, documentary and socially relevant approaches prevail,” finds Ralf Sausmikat. Utopian, social-political concepts of social justice and the belief in the good of technical progress are increasingly giving way to a distanced/sceptic view of the future. This special method of transporting subject matter and exploring a loss of utopia emerges as the lowest common denominator this year.

 The media are obliterating distances, enabling us to experience events directly, even if they take place on the other side of the globe. “Contemporary art has always been a kind of seismograph for societal, political and social developments,” explains Alfred Rotert. Due to the wars in Iraq, Afghanistan and Libya, following the natural disasters in Indonesia and on Haiti, with the issue of the climate and the latest events in Japan, the system of coordinates of belief in an ever improving civilisation has gone haywire in the western world.

The exhibition reflects this dominating feeling of loss and doubt: “Images from nature no longer serve as romantic backdrop, but are presented as uninhabited, self-sufficing landscapes with dynamics of their own,” states Nöring. Violence and the destruction of culture, as well as a lack of environments suitable for children are also addressed. The view of poverty and of ethnic marginalisation or of general political impotence is by all means dominant.

“We are already eager to see what 2012 holds,” the organisers agree. “One thing for sure is that Media Art will respond to the events occurring on earth and will retain its function as a mouthpiece of society and as a mirror of political events!” the festival management concludes.

European Media Art Festival

The EMAF in Osnabrück is one of the most important forums of international Media Art, and is an open laboratory for creative and artistic experiments that help shape media and the aesthetics of their content.

As a lively meeting place for artists, curators, lenders, gallery owners and a specialist audience, it has been instrumental in forming the themes and aesthetics of Media Art.

 

// MORE INFORMATION

Kerstin Kollmeyer
Presse(at)emaf.de
European Media Art Festival
Lohstr. 45a
49074 Osnabrück
Tel. 0541/216 58
Fax. 0541/ 28327

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